Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in each of the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.
Origamie facile
By this I mean that we no more have a closed system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, this is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.
Origami facile
Kent du Pre has done such focus on Symmetric figures such as stars from which flowers can be folded away. Irregular figures have appeared occasionally, but the most extreme form occur in Paper Wonder with Rolf Harris's models. Silhouettes have no restrictions in the Origami sense and are of course strongly related to paper cutting. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive density. The most recent mention of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Origami fleur
Uchiyama Le Bateau De Papier Jean Humenry is reported as obtaining a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve ear or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to offer enough points for the hip and legs. Rohm folded his Festival pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the Origami Owl Bracelet other to avoid the complexities of a model achieved only by folding.
Fleur origami
Inside a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling It is now usual in animal folds to call for a final modelling particularly if foil has been used and one can be certain of the materials remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modeling following the folding The thought of wetting the paper appears to be Japanese in origin was demonstrated Origami Owl by Yoshizawa at a Convention in Luton. Another method of damp moulding using paste in the preparation is mentioned by Alice Gray she was shown it by Yoshizawa during a visit to Japan. The folds up tend to be soft and we are approaching statue rather than Origami.
Bateau en papier
The particular associated arts are Weaving cloth and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the end to show Origami Box Easy the multi-layers usually with different shades. In flower folding and possible doll-making the multi-layer strategy is exploited for their own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of papers each folded to symbolize some part of the animal and then brought together. The theory may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Wonder. Recently kits have came out for folding a monster from a number of squares of different sizes.
Comment faire un avion en papier
Inside the most extreme Origami Paper Airplane mixtures of water and papers we are, of course , in the world of papier-mache which is plainly an open-ended art. DecoratingThe simplest step from your single color is one side coloured and one white or plain. A great offer of modern Origami intrusions this colour difference. A delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which rely after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design suited to an exclusive model. The end of this process is evidently the decoration of the ultimate model and therefore into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then ribbon and finally string.
Fleur en papier
The trimming out of holes and so on. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously dealing with a method which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become
secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and obviously here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its most basic form we may use glue, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or cards. One of the most unusual form of 'display mechanics' that I am familiar with is by Toyoaki Kawai.